29/11/19, 12:30-14:30
Biblioteca di Studi Umanistici, Edificio D, terzo piano
Studied by Luigi de Nardis in 1962, Mallarmé’s irony is a literary phenomenon not completely explored by modern criticism. While in the first phases of his production irony is generally consists in a practice of deconstruction and reformulation of meaning, in his more mature lyrics it becomes more reflective, generating a sort of auto-parody in which Mallarmé cites his own style and some recurring themes of his poetry.